Everyone knows the story of Cinderella: a young peasant woman marries handsome Prince Charming after winning his hand with the help of her Fairy Godmother. The couple, of course, lives happily ever after. But, what if it didn't really happen that way? What if Cinderella earned the prince's attention through her own pluck and cleverness? And what if happily ever after wasn't all that happy after all? These questions form the backbone of Margaret Peterson Haddix's young adult novel, Just Ella.

Our heroine is Ella Brown, a 15-year-old girl who's engaged to marry handsome Prince Charming. Although she's thrilled to be luxuriating in the palace instead of waiting on the "Step Evils" (her stepmother and stepsisters, who made her their servant after the death of her father) hand and foot, she's beginning to realize that being a princess isn't all it's cracked up to be. For one thing, she's confined to the castle where her every movement is dictated by what is appropriate for a princess (needlework; bridal gown fittings; and stiff, chaperoned conversations with the prince) and what is not (mingling with servants; watching sporting events; and lifting a finger to do servants' work). Under the critical eye of Madame Bisset, her decorum instructor, Ella tries to mold herself into a perfect princess, but the strain is killing her. In addition to the stress of adjusting to this new life, Ella finds herself at the center of the castle's juiciest morsel of gossip - everyone seems to be twittering about how she bamboozled the prince through the use of her Fairy Godmother's magic. Knowing it was her own cleverness that got her into the castle, Ella finds the rumor downright insulting. "I'd done something everybody told me I couldn't," she thinks, "I'd changed my life all by myself. Having a fairy godmother would have ruined everything" (56). All of this, however, pales in comparison to the prince himself. Sure, he's handsome, but he doesn't seem to have an original thought in his gorgeous head. Worst of all, he's attracted to Ella only for her beauty. With relief, Ella realizes that not only is he not in love with her, but she's not the least bit in love with him.

The solution to Ella's miserable situation seems simple: tell the prince how she feels, break the engagement, and get on with life. To her surprise, it's not that simple. The Charming Family does not look kindly on scandal, a fact Ella discovers when she wakes up in the castle's dungeon. Madame Bisset informs her that she will be released only when she is ready to face her duties as a princess. Knowing she can never live such a confined life, Ella resolves to find her way out of the castle the same way she got herself into it - through her own skill and cunning.

Although Just Ella isn't my most favorite story by Haddix, I enjoyed reading this re-telling of Cinderella. I loved the idea of this novel. It answers all the questions Disney glossed over: How does a girl who has been so abused live life in a constant state of happiness and optimism? (Answer: She doesn't. She resents her stepmother/sisters) How do two people fall madly in love after dancing for a couple of hours? (Answer: They don't - it's merely lust) How does a commoner adjust to a completely different life as a princess? (Answer: Blood, sweat and tears). As always with Haddix's books, I found the most interesting part of this novel to be the deeper issues she explores, like the true nature of love, the true nature of evil, and the laziness of the overindulged.

Don't fret if you're looking for a quick, exciting read, because this story has that, too. The plot is lively, if somewhat predictable. It also features a wonderful heroine who has a keen mind and the courage to use it. All I'm saying is that this is a multi-faceted book, with many layers of meaning ... see why Haddix is my new favorite young adult author?

Grade: B+ because it was good, but not so good that I have to shout it from the rooftops