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2024 Bookish Books Reading Challenge (Hosted by Yours Truly)

My Progress:


30 / 30 books. 100% done!

2024 Literary Escapes Challenge

- Alabama (1)
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My Progress:


51 / 51 states. 100% done!

2024 Historical Fiction Reading Challenge

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52 / 50 books. 104% done!

2024 POPSUGAR Reading Challenge


36 / 50 books. 72% done!

Booklist Queen's 2024 Reading Challenge

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52 / 52 books. 100% done!

2024 52 Club Reading Challenge

My Progress:


51 / 52 books. 98% done!

2024 Build Your Library Reading Challenge

My Progress:


37 / 40 books. 93% done!

2024 Pioneer Book Reading Challenge


18 / 40 books. 45% done!

2024 Craving for Cozies Reading Challenge

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25 / 25 cozies. 100% done!

2024 Medical Examiner's Mystery Reading Challenge

2024 Mystery Marathon Reading Challenge

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5 / 26.2 miles (4th lap). 19% done!

Mount TBR Reading Challenge

My Progress


51 / 100 books. 51% done!

2024 Pick Your Poison Reading Challenge

My Progress:


99 / 109 books. 91% done!

Around the Year in 52 Books Reading Challenge

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52 / 52 books. 100% done!

Disney Animated Movies Reading Challenge

My Progress


139 / 165 books. 84% done!

The 100 Most Common Last Names in the U.S. Reading Challenge

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88 / 100 names. 88% done!

The Life Skills Reading Challenge

My Progress:


45 / 80 skills. 56% done!
Tuesday, May 13, 2008

Janeology Well Written, But Ultimately Dissatisfying



It's a little ironic that I picked up Karen Harrington's Janeology right after Mother's Day, considering it's the story of a mother who drowns her son. Like the book's title character, all of us moms have felt weary and overwhelmed. In fact, most of us have probably uttered the words "I'm going to kill that child" at one point or another. Janeology asks the question, What happens when a mother goes from venting to actually committing falicide?

The story is told from the perspective of college professor Tom Nelson, whose world shatters when a police officer interrupts his lecture, urging him to go home immediately. Shock envelops him as he learns these chilling facts: his wife, Jane, drowned the family dog, then held her twin toddlers under water, killing one and leaving the other on the brink of death. When Tom demands to know why, his wife casually replies, "I had too much. I was done being a mother, you know?" (15). Jane's subsequent trial ends with a verdict of "not guilty by reason of insanity." Committed to a mental health facility, Jane descends further into madness, while Tom tries to pick up the pieces and parent his remaining child singlehandedly.

Three years later, Tom is horror-struck to find himself on trial. The charge: failure to protect. Awash in guilt over his son's death, Tom dissects his marriage, wondering how he could have missed the signs of Jane's mental illness. Sure, she had been down after a miscarriage, but at what point had she turned dangerous? Had he somehow missed the warning signs? Noticed them, but denied them? Is he guilty?

Tom's lawyer, Dave Frontella, proposes a strategy: If the defense can find evidence of mental illness in Jane's family history, they can prove Tom's innocence by showing she was predisposed to suffer a mental break. To achieve this end, Dave introduces Mariah, a clairvoyant relative of Jane's. The psychic instructs Tom to bring her an antique trunk Jane inherited from her mother. Using the objects inside, Mariah channels Jane's ancestors, finding cold mothers, "oblivious fathers" (133) and "parental models of inaction" (114), as well as deeper psychiatric problems. All of it proves Dave's point, but will it be enough to convince a jury? Will it be enough to wash away Tom's guilt? Can it - can anything - fully explain Jane's break?

Each time a mother kills her own child, I want to know why. What could possibly make a woman snap like that? I was hoping Janeology would offer a Jodi Picoult-like dissection of the killer, allowing me to understand and even empathize with Jane. But, it doesn't. In fact, Jane's voice is never heard. The little bit we learn about her comes from Tom and a clairvoyant's version of her family history. In fact, the whole Mariah thing rubbed me the wrong way. I actually love the idea of telling a story through family heirlooms, but not in the middle of a legal thriller. It just didn't fit. I kept wondering what Mariah's "visions" of Jane's ancestors had to do with the story. Plus, who can trust the accuracy of a psychic's visions? I sure don't. Some of the chapters about her family (especially her mother) shed light on Jane's psyche, but most of them don't. What results is a study of Jane (Janeology) using only secondary, tertiary and even more remote sources, when what we really crave is information from the primary source.

The bulk of the book is taken up by these glimpses into Jane's family history, but they have very little bearing on its conclusion. In fact, the book ends ambigiously, dissatisfactorily. I did, however, love the Epilogue.

While I was disappointed with the format of this novel, I still think it's a good read. Harrington writes well, especially when penning character sketches. She chose a fascinating subject, and she kept my interest with her examination of it. Unfortunately, the psychic subplot felt disparate, making the book ultimately dissatisfying for me.

Grade: B

Author Chat: An Interview with Kate Jacobs

Me: Hi Kate. Thanks so much for stopping by Bloggin' 'Bout Books today and answering some quesitons about your books (The Friday Night Knitting Club; Comfort Food), writing, and

life in general.

KJ: Thanks, Susan.

Me: You write about the comforts women use to soothe and ground themselves. Why do you think women need such activities in their lives? What is your comfort object/activity?

KJ: It’s all about making chocolate chip cookies for me. Two nights before I was going on tour to promote Comfort Food – when I had a million things to do – there I was, making cookie dough to soothe my nervousness. Another thing I like to do is just walk. I always do my best thinking when I’m strolling around. I think we all need something, a go-to that soothes and comforts. We all have so much going on that we’re stressed and overtired and mentally exhausted. So we need to recharge. I want my books to feel like an escape, a soothing bit of comfort.

Me: The main characters of both your novels have been single moms, who succeed in life by finding their passion and following it. What is your passion and how has it enriched your life?

KJ: Writing. Sharing stories is my craft, my passion, and my work. It’s a great privilege to be able to combine all of those things, and I’m very grateful to write full-time. When I started the first book I was still working as a freelance editor so, believe me, having the time to write is a luxury. That said, there are days when it is hard to get pages done, and working at home means there are always lots of chores to distract me!

Me: Piggybacking on the last question, are these strong, capable "mompreneurs" based on anyone you know? Yourself, perhaps?

KJ: All the women I know are such smart people. It’s important to me that the female characters in my stories are strong, proud, and intelligent. Even as they have struggles and challenges that keeps the story interesting. As for me being a mompreneur? I don’t qualify: My husband I don’t have any kids yet!

Me: In both of your books you mention people dyeing their hair with Kool Aid and having trouble driving on the left side of the road while in Europe. Do I sense some personal experience there??

KJ: Insightful readers like you are the ones who are going to find the real me in my stories; I’m going to have to watch out! Well, I did not ever color my hair with Kool-Aid. That, unfortunately, became trendy after I was a bit too old to get away with trying it. But I would have quite enjoyed doing so. Instead, I spent my allowance at the drugstore and purchased colored hair mousse – I remember that I had a sunshine yellow and a deep purple – and it would imbue my hair with that color. It was temporary but that suited me because then I could change my mind based on the day. And, of course, I used blue and green mascara and a lot of eyeshadow, but then again I’m talking about the 1980s. Who didn’t do that stuff? As for driving on the left side of the road in Europe, I haven’t done that either. I’ve only been the passenger – more like the backseat driver, if you know what I mean – screeching with concern over narrow roads and worrying the way through every roundabout.

Me: Which of your characters is most like you? Which one would you most like to have for a best friend?

KJ: Like Aimee, I have a deep love of game shows. There, I admitted it! And, like Hannah, I nibble on candy when I write. I was really enjoying hard lemon candies when I was writing Comfort Food. And I found my way to Gus by thinking about when my husband was seriously ill and the emotions during that period. (He’s all better now, I'm pleased to say.) That's why Gus is a widow; I imagined what a different outcome would be like. But, that said, the characters are really and truly themselves. They have their own personalities and quirks and are like real people to me; they are my imaginary friends, I guess. I am almost thirty-five and I have a career based on imaginary friends. Well, that's pretty fun. As for who I want to be my best friend…hmmm, I wouldn’t mind hanging out with Oliver, that’s for sure. He’s a hottie!

Me: LOL. I hear you on that, sister. Thanks so much for chatting with me today!

(Author image from Kate Jacobs' official website)

Take A Bite of Scrumptious Comfort Food

Considering all the rave reviews I read about The Friday Night Knitting Club by Kate Jacobs, I thought I would love the story. I didn't. I liked it well enough, I just didn't love it (especially not the ending). You can read my review here. Anyway, I wondered how I would feel about Jacobs' new book, Comfort Food. Would it be her first novel all over again? Or would she bring something new to the table with her sophomore effort?

Although there are definite similarities between the two books (mention of Kool Aid as hair dye, for one), Comfort Food stands on its own. In fact, I liked it better than The Friday Night Knitting Club. I'll get back to the whys in a bit...

Comfort Food stars Agustus "Gus" Simpson, host of food TV's popular Cooking With Gusto! show. The program airs in her living room, so Gus spends the majority of her time in her expansive home cooking, entertaining and plying guests with treats from her kitchen. A long-time widow, Gus has two grown daughters who still need babying, not to mention husbands. Organized and efficient, Gus has everything in her life under control. That is, until her ratings start to plunge. To boost the numbers, her producer decides to bring in a co-host in the form of ex-beauty queen Carmen Vega. The former Miss Spain knows her way around the network president's bedroom and, Gus reluctantly admits, the kitchen. Of course, that doesn't mean Gus has to take her usurpation laying down. Still, the on-screen tension on Eat, Drink and Be produces the desired effect - ratings spike, website hits skyrocket, and Gus' future burns brighter and brighter.

A freak snowstorm adds another element to the show, widening the cast to include: Aimee, Gus' older daughter, whose shoulders sag under the weight of responsibility; Gus' younger daughter Sabrina, who changes fiancees almost as often as she changes her shoes; Troy, Sabrina's still-pining ex; Oliver, the easygoing chef whose flirtations make Gus nervous; and Hannah, Gus' neighbor, who hides a painful past beneath her signature grey hoodie. Together, they make the show a success. Still, there's tension simmering between all parties, tension that threatens to boil over. During a weekend retreat to build team unity, conflicts come to a head with less than scrumptious results. While Aimee and Sabrina express long-held anger toward their mother, Gus gets a shock that will make her re-think her whole life and career. She is forced to ask the question that forms the backbone of the story: How far will a person go to get what they want, and is the sacrifice really ever worth it?

Like I said in the beginning, Comfort Food has a lot in common with The Friday Night Knitting Club - both books feature a strong, single mother who finds her passion, then uses it to create a successful career. Both protaganists are hardworking women who have to learn to give up some of the control in their lives in order to be happier, healthier human beings. Both novels also have a "club" feel, in which a large cast of characters each narrate a portion of the story, giving us insight into their different personalities. Despite the similarities between the books, there are also big differences. Comfort Food has a much stronger star, for one. Gus Simpson's personality is far more vivacious than Georgia Walker's, making her far more interesting. Also, I felt that Gus had more depth in general. Where Jacobs' first book seemed meandering to me, Comfort Food remained focused. The writing seemed smoother in the new book, and the ending was more realistic and satisfying than The Friday Night Knitting Club's conclusion. For all these reasons, I liked Comfort Food better. It's a solid book that stands on its own merits.

I was a little surprised that there were no recipes included in the book (I read an ARC - maybe that's why?), but even without the "whipped cream on top" this story bakes up as nicely as one of Gus Simpson's famous scones. Go on - take a bite. You'll love this satisfying read.

Grade: A-

The Friday Night Knitting Club Not the Cozy Afghan I Expected

Knitting may be the newest trend on the Upper East Side, but Georgia Walker learned the art as a child. Tutored by her Scottish Gran, Georgia has become a master knitter, turning her passion into a successful yarn shop. Walker and Daughter (a fictional business) becomes even more popular when an informal gathering of women knitters of all ages, backgrounds and skill level solidifies into The Friday Night Knitting Club. Members include the reserved Georgia; her baking-obsessed daughter Dakota; Georgia's 72-year-old mentor Anita; Peri, a promising handbag designer; Lucie, a single woman whose biological clock has stopped ticking and is starting to alarm; Darwin, the cranky college student; and K.C., Georgia's boisterous friend from publishing. Beginning as mostly strangers, the women soon become friends who share their triumphs, aspirations and heartaches, of which they all have plenty.

The Friday Night Knitting Club, Kate Jacob's debut novel, discusses all the women, but focuses mainly on Georgia Walker. The single mother has worked exhaustively to make her business, and her life, a success. Almost singlehandedly, she has done both. True, she's a little lonely, but that starts to evaporate as the club becomes more and more important to her. Her life is far from perfect, though. For one thing, Dakota's father has returned to New York and is working hard to buy his way into his daughter's life. Georgia is stunned to find that her philandering ex-boyfriend wants to wheedle his way back into her good graces as well. Dakota finds her father enchanting, even as Georgia promises herself she will not fall under his spell again. All the tension is getting to her. She's exhausted. Then, an old rival breezes into the shop, flashing her Platinum card and demanding Georgia create a custom evening gown for her. Knowing she can't refuse the commission, Georgia suddenly finds herself slaving away for the woman whose betrayal ended their childhood friendship.

As if Georgia doesn't have enough woes, she's also caught in the drama of her friends' lives. Anita, whose health seems to be fading, refuses to slow down. She's also ignoring her crush on the kind deli owner downstairs, afraid a new romance will tarnish the memory of her long-dead husband. Then there's Darwin, the enigma who comes to club meetings, but doesn't knit. Everyone's surprised to hear the story of her long-distance marriage to a harried medical intern who barely has time to call his lonely wife. Always upbeat K.C. can't seem to find her niche, or anything resembling knitting skills. When she decides to aim for a law degree, her friends tutor her, but can she really make it work? There's also Peri, Georgia's part-time assistant, who's defying her parents in pursuit of her own passion. Lastly comes Lucie, who's looking decidedly peaked. What's her secret, anyway? As the women struggle through their own crises, the one thing that sustains them all is their knitting club.

The Friday Night Knitting Club concerns needlework, but it's really about friendship. It's about women gathering to shake off loneliness, learn together and support each other through thick and thin.

I enjoyed this story in general, but there were a few things that annoyed me. For one thing, the way Jacobs used the omniscient point of view made me crazy. She shifted POV in the middle of sections, even in the middle of paragraphs. I think when a story involves as many characters as this one, it's important to keep their voices separate, otherwise the reader becomes confused (and irritated, in my case). Especially considering the ending of the novel (which I'll get to in a minute), I really think Jacobs should have divided the women's stories into clear sections, and given all of the players equal "speaking" time. Perhaps that would have fleshed out some of the characters more, allowing for a warmer tone and a better flow to the story. The most frustrating aspect of this book for me, however, was the ending. I don't want to give anything away, but let's just say Jacobs employed one of the most overused plot twists in fiction. Not only was the ending sappy, but it made everything that came before it look contrived. In light of the ending, certain happenings (like the arrival of both James and Cat) are just a little too convenient. There were other situations I thought were unrealistic, but the finale bugged me the most.

Despite these issues, The Friday Night Knitting Club kept me entertained. I didn't love it, but I liked it well enough. Let's just say it wasn't the nice, soft, cozy afghan I wanted - it was more like the one that looks pretty draped over the sofa, but itches too much to be truly comfortable.

Grade: B-
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