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2025 Cover Lovers Reading Challenge (hosted by Yours Truly)
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2025 Literary Escapes Challenge
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2025 POPSUGAR Reading Challenge
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2025 Build Your Library Reading Challenge
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The Village Meets Dawn of the Dead in Pitch-Perfect Forest
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city lights and noise. The residents lived simple lives - school, work, marriage, children, death. From the Cathedral in the middle of town, The Sisterhood ruled uncontested. Everyone followed their edicts without question. Well, except for the Unconsecrated. The undead just wouldn't listen.
In The Forest of Hands and Teeth, Carrie Ryan's constructed a creepy postapocalyptic world in the form of an idyllic little community surrounded by strong, metal fences. On one side, people go about their daily business; on the other, flesh-hungry zombies clamber to get inside. A bite from one of the creatures means infection, death, and returning to "life" as a mindless zombie. This is the way it is. This is the way it's always been. At least that's what The Sisterhood teaches; thus, that is what everyone believes.
Everyone except Mary, that is. She's heard her mother's stories about the ocean, about buildings that touch the sky - despite what The Sisterhood tells her, she believes there is a world beyond her own. A world that's safe, unmarred by the Unconsecrated. She longs to find the ocean, but there's so much standing in the way - her family; her betrothed; the zombies; the danger; the uncertainty. More and more though, she's questioning what she's been taught and The Sisterhood is not happy about it. When Mary stumbles upon their secrets, her world begins to tilt. When the unthinkable happens, it threatens to fall apart completely. Suddenly, she's on the run, blindly chasing her dreams, dragging loved ones along with her in her desperate search. Relentlessly pursued by the undead, Mary must keep herself alive - somehow. But, what if this really is the end? What if she is the last person on Earth? What if there is no ocean? What if the stories she's been told are only that - fairy tales spun from her mother's imagination? How long can she survive before the Unconsecrated take her, too?
If the story sounds bleak, that's because it is. From its haunting cover to its last sentence, The Forest of Hands and Teeth is a dark, intense ride. It's provocative, compelling and just downright shivery. The chilling tone doesn't let up for one second. It's a pitch-perfect, brilliantly executed, absolutely unputtdownable little horror novel. Yes, it's dark; yes, it's intense; yes, it's bleak; yes, you should run out and get it right now.
Grade: A
(Book image from Barnes & Noble)
Something I Never Thought I'd Hear Myself Say: Skip the Book and Watch the Movie
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It's rare, but occasionally, I'll come across a movie I like better than the book on which it is based. This is the case with Carl Hiassen's YA novel, Hoot. I know the book earned a Newbery Honor Medal and all that, but I found it choppy, a little crass and zany to the point of silliness. The movie version softened a lot of the book's rough edges, giving the story an appealing innocence.
The book concerns one Roy Eberhardt, a Montana transplant who's having trouble getting used to life in Coconut Cove, Florida. Roy spends his days at Trace Middle School trying not to get beat up by tough guy Dana Matherson, who pounces on him every chance he gets. One day, as Dana's smashing his face up against the bus window, Roy spies something odd - a kid about his age running pell mell down the street, barefoot. Curious, he asks around, but no one seems to know anything about the boy. Except Beatrice Leep. Strong, angry Beatrice Leep, who warns him - in no uncertain terms - to mind his own business.
In the meantime, Coconut Crove's got a small crisis on its hands - the site on which a new Mother Paula's pancake house seems to be the target of some kind of prankster. Alligators in the toilet, poisonous snakes slithering across the property, spray-painted patrol cars - the bumbling cops can't figure out who's responsible or what they've got against pancakes. Roy, on the other hand, is putting two-and-two together - he suspects the running boy's responsible for the assaults on the construction site. But why? And who is the barefoot kid, anyway? What Roy discovers will both surprise and enrage him. In fact, it might just lead to the biggest adventure of his life.
Hoot is the kind of book that will appeal to tween boys (my 10-year-old keeps asking if I'm ever going to be done with it) - it boasts a likeable, underdog hero; police who can't get anything right; a daring prankster; and kids standing up for what they believe in. Plus, it's got a rude/crude edge that boys will eat right up. For an adult woman (me), it's a little too over-the-top. Although I haven't read any of Hiassen's other books, I know he's known for his zany sense of humor; for me, it was a little too zany. Of course, I'm not a tween boy living in the Diary of a Wimpy Kid era, to whom zany equals most hilarious thing ever.
The reason I like the movie so much better is that it tones down a lot of the book's silliness. It's still funny, but not ridiculous. Now, I'm a little partial to the Wilson boys (something about those nasally drawls ...), which is another reason I liked the movie: Luke Wilson played Officer Delinko to perfection. Despite some serious preachy parts, it's a fun, family-friendly flick. I'd almost go so far as to say skip the book and just rent the movie, but I think that's against some reader code of ethics. Let's just say that for me the book wasn't really worth the read. The movie smoothed things out and made the story much more palatable for me. And did I mention Luke Wilson? That might not persuade a tween boy to watch the movie, but I have a hunch it will convince a few moms ...
Grade: C
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Reading
Finlay Donovan Is Killing It by Elle Cosimano
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Listening
If Walls Could Talk by Juliet Blackwell
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Followin' with Bloglovin'
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Grab my Button!
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2025 Goodreads Reading Challenge
2024 - Elementary/Middle Grade Nonfiction
2023 - Middle Grade Fiction
2022 - Middle Grade Fiction
2021 - Middle Grade Fiction
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2020 - Middle Grade Fiction
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