(Readalikes: I can't really think of anything. Can you?)

Grade: B-

If this were a movie, it would be rated: R for language, violence and some sexual content

To the FTC, with love: I received an ARC of Compromised from the generous folks at Harper Teen. Thank you!

Sound pretty generic? That's because there's nothing original about Hush, the newest thriller from Cosmopolitan's editor-in-chief Kate White. The writing's dull, the plot's been done, and not one of White's characters would recognize a personality if it walked up and slapped them across the face. So colorless is this cast that I could hardly tell one player from another - forget actually caring about any of them. Our heroine is no exception. I really didn't give a darn whether she solved the murder, got stuffed into a freezer, or rotted in jail. She never, not once, felt human to me. Likewise, the plot didn't grab me, didn't make me care at all. The fact that I didn't abandon this book after the first chapter says something, I guess, because I did tear through it pretty fast. Still, if I hadn't agreed to review Hush for my friends at TLC Book Tours, I wouldn't have bothered sticking around for Chapter 2.

(Readalikes: Think Mary Higgins Clark, but with a lot more edge and none of the charm.)

Grade: D

If this were a movie, it would be rated: R for language, violence, and sexual content

To the FTC, with love: I received an ARC of Hush from the generous folks at Harper Collins. Thank you!

As global warming slowly melts the ice on the Earth's poles, the planet begins to flood. People move to higher ground, waiting for the water to recede. But, year after year, the seas continue to rise, sinking cities, swallowing dry land, and forcing survivors to crowd together on the tiny islands that are all that remain of the old world's continents. On Norwich, the settlement where 10-year-old Zoe Black lives, supplies are dwindling. The ships that once brought food to the island and shuttled away anyone who wanted to go to the mainland no longer come. Without them there's no escape, no hope of hiding from the rising tide.

Zoe, who was mistakenly left behind when her parents fled on the last supply ship, lives on her own, keeping away from anyone who might do her harm. Plenty of people would, too, if they knew what she was hiding. Unlike anyone else on her island, Zoe has a boat. The small vessel, which washed up on the shore during a storm, is finally seaworthy, finally ready to help Zoe get to the mainland and find her parents. She knows the same storm that washed her little boat ashore might have sent her mother and father to a watery grave, but she won't rest until she knows for sure.

Out on the open ocean alone, Zoe searches desperately for land. The spires of a crumbling cathedral beckon her to Eels Island, a place ruled by a ruthless teenager who steals her boat but offers her his protection. Not knowing who to trust, Zoe must figure out a way to survive in a world where civilization can be just as perilous as the wild waters that surround it. As Eels Island crumbles into the sea, Zoe knows she must escape. She has to find her boat, row like mad for the mainland and search for her parents. Before it's too late. Leaving will mean challenging a brutal gang leader, making a dangerous ally, and risking her life - again - on the perilous seas. The prospect's terrifying, but Zoe Black has to try, has to survive.

Even though Floodland by Marcus Sedgwick is probably the mildest dystopian book I've ever read (it's geared toward middle graders), there's just something inherently eerie about water devouring the Earth. It provides an excellent backdrop for this kind of novel, even one as poorly written as Floodland. The premise of this book intrigued me, obviously, but the writing drove me to put it down twice before I finally decided to plow through it, anyway (it's only 148 pages). The dialogue is cringe-worthy, as is the constant telling-not-showing style and the awkward prose. What I can appreciate about this novel is that, unlike most dystopians, it never gets too bleak for its young audience. I still wouldn't hand it to anyone under 10, but, despite the blah writing, Floodland does provide a good introduction to the genre for young readers. It's positive, hopeful end makes it especially appropriate for middle graders. If they can wade through the lifeless prose, that is.

(Readalikes: The subject matter reminded me of Ship Breaker by Paolo Bacigalupi, X-Isle by Steve Augarde and a little of Dark Life by Kat Falls.)

Grade: C-

If this were a movie, it would be rated: PG for violence and scenes of peril

To the FTC, with love: Another library fine find

In the Acknowledgments section of her newest book, Irish novelist Cecelia Ahern writes:

I have to agree with her, although in my case, it's usually book bloggers who set me up with great stories. Case in point: The Book of Tomorrow by Cecelia Ahern. The author's best known for her debut novel, P.S. I Love You, which enjoyed bestsellerdom, then became a movie starring Hillary Swank and Gerard Butler. Despite the story's popularity, I couldn't get past its first chapter. So, I was a tiny bit reluctant to pick up Ahern's newest venture. Still, rave reviews in Book Bloggerland persuaded me to give it a go. The first page convinced me: this book and I belonged together. Really. It was love at first sight (well, first read).

The book revolves around 16-year-old Tamra Goodwin, a wealthy Dubliner whose world starts to crumble when her father commits suicide. It's not just his death that shocks her, but also the reason behind it: George Goodwin owed so much money that he died with barely a euro to his name. As the bank repossesses the family's home, Tamra's mother sells off everything she can to pay her husband's debt. Now Tamra, the girl who swathed herself in designer-ware, swung at tennis balls on her private court, and played princess in a 7,000-square-foot mansion, is homeless, penniless, and not too happy about it either. She's stuck living in a cramped cottage in the countryside, miles away from anything that's anything, with her eccentric aunt and uncle.

Aunt Rosaleen takes charge of Tamra's mother, who's almost comatose with grief, leaving the teenager to find something - anything - to do. As Tamra explores the area, she finds all kinds of wondrous things, including a ruined castle, a traveling bookmobile run by a very sexy librarian, an unconventional nunnery and a mysterious diary. While each discovery holds its own secrets, it's the last that has her completely flummoxed. Drawn to the old-fashioned book with its leather cover and gold padlock, Tamra takes it home to pry it open. When she succeeds, she's disappointed to find that it's a journal, every page blank. She's never been into writing, but these days she's bored enough to try just about anything. This time, as Tamra opens the diary, she's shocked to discover that the first few pages are already filled, covered with words written in her own handwriting, words she's sure she never penned. The entry's dated for the next day. A practical joke, she assumes, until all the things written in the diary come true.

Tamra doesn't know how the diary works, but she believes in its magic. Somehow, it's leading her, luring her to investigate the dark secrets that swirl around Kilsaney Castle. The more Tamra pries, the more confused she becomes. What happened to the castle? Why did the Kilsaneys abandon it? Why does timid Rosaleen yank the mail out of Tamra's hands, forbid her from entering the garage, and insist that Tamra's mother does not need a doctor when she so clearly does? And, most importantly, what does it all have to do with her? Something sinister's going on in the Irish countryside and Tamra's going to find out what. Even if it kills her. Which it just might.

Family secrets, a magic diary, a handsome Irish book lender - you can see why I find The Book of Tomorrow so intriguing. Add in a bit of humor, a healthy dose of teenage angst, and some good, old-fashioned mysteries and, really, what's not to love? Okay, I would have liked more depth from the male characters (Marcus and Weseley are so similar I can barely tell them apart), and some of the plot points come off as a bit contrived, but the story overall does not disappoint. Not in the least. In fact, it's one of those magical novels Ahern referred to, the kind that pulls the right reader to them, then proceeds to enchant the heck out of them. After devouring her latest novel, I have only four words for Ms. Ahern: P.S. I Love You.

(Readalikes: It reminds me of other books about family secrets, though no specific titles come to mind.)

Grade: B+

If this were a movie, it would be rated: R for language (a handful of F-bombs, plus milder invectives), some violence and sexual content (not graphic)

To the FTC, with love: I received an ARC of The Book of Tomorrow from the generous folks at Harper Collins. Thank you!

It's 1891, a time when the whole world seems to be flocking to the shores of America. Irma's heard enough stories to know that few return from this great journey across the North Atlantic. Some are robbed and beaten as they travel, others are buried at sea, and still more vanish into the vastness of America, completely forgetting to send money home to Italy. If Irma can just make it to Ohio, she knows she can make plenty of money sewing for wealthy ladies, enough to live on and send home to her family.

It doesn't take long for Irma to realize how naive she's been in her planning. Nothing - from her voyage across the sea in the cramped, smelly bowels of the Servia to her lonely arrival in New York City to her years of backbreaking sewing work in the land that was supposed to be full of grand possibility - goes the way she hoped it would. She learns much along the way about hope, about friendship, about heartache, about love. When the opportunity arises to return to Opi, it's time for Irma to decide: Should she return to her mountain home or risk fulfilling her mother's prophecy and dying among strangers?

When We Were Strangers, the first novel by playwright and short story author Pamela Schoenewaldt, is a sweeping saga written in lush, lovely prose. Even when Irma's experiences are brutal and her outlook bleak (which is often the case), Schoenewaldt's writing is tender, gentle. While the novel doesn't have much of a plot, what does happen keeps the tale moving enough that I never found myself growing bored. With rich period detail; colorful, realistic characters; and a brave, plucky heroine, When We Were Strangers is an admirable first novel. It didn't blow me away, but it definitely kept me reading. You better believe I'm looking forward to more from the talented Schoenewaldt.

(Readalikes: Reminded me of The King of Mulberry Street by Donna Jo Napoli and other stories about Italian immigrants)

Grade: B

If this were a movie, it would be rated: R for mild language (no F-bombs), violence and sexual content

To the FTC, with love: I received an ARC of When We Were Strangers from Harper Collins and TLC Book Tours, for whom this review was written. Thank you!