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2025 Cover Lovers Reading Challenge (hosted by Yours Truly)
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2025 POPSUGAR Reading Challenge
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2025 Build Your Library Reading Challenge
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Thursday, February 09, 2012
Cruel, But Lovely, Tale of Contradictions Brings 1930s Shanghai to Life
4:54 AM
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When a cruel twist of fate turns the tables for Feng, she's forced into a marriage she doesn't want and for which she's wholly unprepared. Thrust into the secluded inner circle of the Sheng Family, Feng must learn to navigate this new world where tradition reigns alongside vicious squabbling, ambitious social climbing, and relentless, stifling boredom. Feng knows the only way to get her elders off her back is to bear the family an heir—a precious, sought-for son. As Feng struggles to please the Shengs, she must grapple with questions of duty, identity and how far a woman in her time and culture will go to find happiness.
It takes a gentle hand to produce a book like All the Flowers in Shanghai. A feminine hand, you might guess. But, you'd be wrong. The debut novel is the work of Duncan Jepson, a Eurasian filmmaker, who wrote the story as a way to explore the fierce, domineering role of a Chinese mother—the kind he might have had if his own hadn't immigrated to the U.K. in the 1950s. Through the eyes of Xiao Feng, the author brings the turmoil of 1930s Shanghai to vivid life, not by focusing on the revolution happening without, but by examining the brutal, tumultuous world within. Although Feng's is a life of emotional hardship, ruthless subjugation, and eternal bitterness, it's described with such care and sensitivity that it seems almost lovely. Even when it most certainly is not. Thus, Jepson seems to say, are the contradictions of China, of tradition, of life itself. This deep, absorbing plunge into one woman's journey through such an existence left me both breathless and heartsick. All the Flowers of Shanghai may not be the most uplifting of novels, but it's a sweeping tale that stays in the reader's heart and mind long after the story ends.
(Readalikes: Reminded me of Memoirs of a Geisha by Arthur Golden and The Joy Luck Club by Amy Tan)
Grade: B
If this were a movie, it would be rated: PG-13 for violence and sexual content
To the FTC, with love: I received an ARC of All the Flowers of Shanghai from the generous folks at William Morrow (an imprint of Harper Collins) and TLC Book Tours. Thank you!
Things That Make Me Go Meh
1:00 AM
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As part of ELLE Magazine's Reader's Jury program, I was asked to review two parenting memoirs—Some Assembly Required by Anne Lamott (with her son, Sam) and Making Babies: Stumbling into Motherhood by Anne Enright—and choose which I liked best. A tough job, since the truth is, I didn't care much for either one of them. Is there something about women who become mothers for the first time in their late 30s that just makes them whiny and bitter? Or, is it because these ladies are both tell-it-like-it-is authors who express the things all mothers feel, but don't dare to say out loud? I'm not sure, but sheesh! I'm all for honest, funny takes on the old parenting game, but I prefer them to be light-hearted and uplifting, not gripe-y and depressing.
First published in 2004 (the version I read will be available April 2012), Making Babies actually compares better with Lamott's first memoir, Operating Instructions, which details Lamott's experience as a single, 35-year-old, first-time mother. Like Lamott, Enright is a writer who came to motherhood later in life. After 18 years of marriage, Enright found herself expecting at age 37, then again at 39. Having children, naturally, turned the life of the successful, independent novelist upside-down. Just as naturally, she decided to write about all of those ups and downs, publishing many of her thoughts as essays in European newspapers and magazines. Gathered together in Making Babies, they form an odd, random assortment of musings on babyhood and parenting.
At turns deep, sentimental and strange, the essays run the gamut from thought-provoking to hilarious to just plain old weird. Since there's no real, unifying point to the writings, I found the collection to be a bit too here, there and everywhere for my liking. Overall, I really didn't care for it, although I did find these gems within:
"I thought childbirth was a sort of journey that you could send dispatches home from, but of course it is not—it is home. Everywhere else now, is 'abroad'" (58).
"I can make babies, for heaven's sake, novels are a doddle" (60).
"Children are actually a form of brain-washing. They are a cult, a perfectly legal cult. Think about it. When you join a cult you are undernourished, you are denied sleep, you are forced to do repetitive and pointless tasks at random hours of the day and night, then you stare deep into your despotic leader's eyes, repeating meaningless phrases, or mantras, like Ooh da gorgeous. Yes, you are! Cult members, like parents, are overwhelmed by spiritual feelings and often burst into tears. Cult members, like parents, spout nonsense with a happy, blank look in their eyes. They know they're sort of mad, but they can't help it. They call it love" (148-49).
(Readalikes: Operating Instructions by Anne Lamott)
Grade: C
If this were a movie, it would be rated: R for strong language and sexual content
To the FTC, with love: I received an ARC of Making Babies from ELLE Magazine in exchange for a fair and honest review.
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Finlay Donovan Is Killing It by Elle Cosimano
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If Walls Could Talk by Juliet Blackwell
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Followin' with Bloglovin'
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